On February 11th, we officially opened a new exhibition at work that I curated with PhD art-history student Mateusz Mayer. The show is entitled Hoppner, Beechey, Fisher, Lavery: Researching Columbia's Portraits, and is on view in Avery Architectural & Fine Arts Library, Wallach Study Center for Art & Architecture, until May 10th. It is open to the public Mon-Fri, 9am-5pm. This focused exhibition showcases four rarely-seen historical British portraits from the permanent collection, and transforms them into objects of study rather than present them as traditional museum-style masterpieces by these artists. The portraits were painted between the years 1800 and 1927, and the show highlights new discoveries that we have made about them, ranging from biography to provenance to political propaganda. As examples of British portraits, the show also seeks to query the idea of "British-ness," both in its historical context and in the age of Brexit.
One of the paintings on view is the work you see here, a portrait of King George III by Sir William Beechey and his studio. The portrait depicts the king wearing a field marshal's uniform, his bicorn hat and Star of the Order of the Garter prominent ornaments to his outfit. The painting is an artist's copy of his life-sized portrait of the king that he exhibited at the 1800 Royal Academy exhibition, now in the Royal Collection. The painting became so popular (arguably a form of political propaganda) that Beechey's studio produced numerous replicas and copies, some with various backgrounds and in half-size and portrait-bust versions. In the background of this portrait is Windsor Castle, the king's primary residence, where Beechey likely painted the original version. This painting was a gift to Columbia in 1943 by Mrs. Mary Hill Hill. Her doubled surname is not an accident: her father and husband, both of whom were railroad magnates, had the same last names, but there were no family relations between them. Although originally from Minnesota, Mrs. Hill Hill lived at the time of the donation in Tarrytown, NY, and auction catalogs after her death show that she was an avid collector of 18th-century British portraits and George III silver.
A free accompanying exhibition catalog will be made available very soon, so I'll post a link to the PDF version when it's ready.
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