Getting back to the art, however, I do realize that the editors chose the Pietà because, as they note, it was once considered contemporary art, and indeed the prodigy, a young sculptor from Florence, was commissioned by a French cardinal to create it. But the spiritual essence of this sculpture has no comparison--religiously speaking--to the Koons sculpture. And are we to assume from this juxtaposition of images that Koons, because he is a successful contemporary artist, epitomizes the type of art one is going to see from now on in the Vatican and other Catholic churches? If so, then why this image? Why not the photographs and sculptures of Koons having sex with his ex-wife Ilona Staller (former porn star and member of the Italian parliament)? Why are those works less spiritual than Michael Jackson with a monkey?
I know I'm ranting more about these images for this article, but my point is to write about the Vatican and art. The digital photograph of St. Peter's (note: Michelangelo's original design, enhanced by other architects over time) I took on one of my trips to Rome. St. Peter's Cathedral is an absolutely amazing place, where grandeur and awe inspire a sense of spirituality incomparable to many other places. The Vatican Museum has one of the best collections of art in the world. I've had the privilege of going there twice. Having the opportunity to stand in the Sistine Chapel and gaze upon Michelangelo's ceiling and The Last Judgment behind the altar, or to witness firsthand Raphael's School of Athens in the papal apartments, is an amazing wonder to behold. And the collections throughout the Museum are unparalleled. They have some of the most important pieces of classical sculpture, such as the Laocoön and the Apollo Belvedere. But this is also the Vatican Church, the seat of the Roman Catholic Church, and as I've strolled through the halls of the Museum, I've pondered if there was some sort of travesty behind the Vatican holding onto these works and displaying them. Doesn't the Church have a responsibility to let go of material possessions and help those in need? Couldn't they sell of some of their work, such as their version of Canova's Perseus (after all, there's another version of it at The Metropolitan Museum of Art), and use the money from the sale to outfit an entirely new social structure in an impoverished country, provide assistance for AIDS victims, or feed starving children in Africa?
In the past, I might have said yes. Now, I would say no. I do still believe the Church has a responsibility in these areas, and they are doing their part to help. However, the Vatican is not just the Church. It's also a country, an independent state, as it has been for nearly 2,000 years. As a country, it also has a responsibility to support cultural heritage as does every nation, not just for its own people but for all people. So should the Vatican be commissioning contemporary work from artists? Absolutely. Should they be collecting contemporary art? Of course they should. And even though I don't agree with Monsignor Gianfranco Ravasi, head of the Pontifical Council for Culture, who insists that "We need to return to the spirit of the 1500s" (the Church needs to evolve, not stand still in time or, worse, look backwards), I applaud the fact that the Vatican may be seeing the need to support cultural heritage and encourage the continuous flow of art, no matter the spiritual nature of its design.
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