The Video: E-Journals in Art History

No one ever likes to hear him/herself on tape or video, but everyone on my panel session from February agreed to the request to be filmed, and that online video is now available for viewing for free here: https://www.pathlms.com/arlisna/events/1063/video_presentations/100716

This was in association with the panel session I chaired at the ARLIS/NA conference held in NYC, "Born-digital and Other E-journals in Art History: Crossing Boundaries among Art Historians, Editors, and Librarians," about which I first blogged here. The response to the session by some audience members and the panelists themselves was very positive, so we are glad that it went so well (even if we are embarrassed to hear ourselves on video afterward!).

The Power of Political Protest Art

The past few months I have been crazy busy, which is why I haven't been blogging lately. My apologies for that. I hope I can back into the swing of things again. It seemed only appropriate that I return to this blog with a NYC- and art-themed post, relating to a video project I was involved in that has now gone live.

The Atlantic Gallery in Chelsea recently held an exhibition entitled ...Or Curse the Darkness in which some of the member artists exhibited work that related to their feelings about the current political environment in the USA. Say what you will, pro or con, we are living in extraordinary times under this President and his administration. The poster for the exhibition is the image you see here.

On June 1, 2017, in association with the exhibition, I chaired a panel session at the gallery entitled "The Power of Political Protest Art." Following my introduction, we had three speakers: James M. Saslow, Marisa Lerer, and Amara Magloughlin. Each of them gave their own 7-10 minute take on an aspect of political protest art. We then had a Q&A, and we also spoke a little about some of the art on display, as did some of the artists about their own work. The entire presentation was filmed and edited by NYU student Yijun He.

My introduction covered one particular current event: the now-infamous Kathy Griffin photo by Tyler Shields, showing her holding the severed head of a mannequin-of-sorts who reportedly bore a resemblance to the President. Undoubtedly some of what I say in the video will upset people, but overall I attempted to approached the image from an art-historical perspective and relate it to other political images. I should note, publicly on this blog, that I don't condone the image itself; I don't believe in violence in general, so clearly I don't support this image. However, it's the context and fallout that I talk about, in relationship to what happens when some individuals participate in political protest art. Saslow gave a historical overview, bringing things right up to the ACT-UP movement. Lerer spoke about Argentinian and other Latin American political protests from the 1970s through today. Magloughlin focused on the ongoing reception of Picasso's Guernica as a form of political protest art.

The video is now live. The sound quality is a bit rough the first couple of minutes, but then it picks up and everything works out beautifully for the approximate one-hour presentation. You can find the video on YouTube here: https://www.youtube.com/watch?v=Z2zxhhWM7iI

New Moore

One of the long-term projects on which I have been involved since I started as Curator at Columbia was to help with the closure of a major gift of the public sculpture you see above. This is by Henry Moore and entitled Reclining Figure, 1969-70. It is recorded as being one of the largest single-cast bronze works that Moore ever did. This work on Columbia's campus now makes the institution only the second in the U.S. to have two Moores on campus (the other was donated by the Wallach family in 1967). This sculpture was donated by David and Laura Finn (he the author and photographer of a number of sculpture books). They did this in percentages for the past 30 years, with the final .5% coming to Columbia in the last two years. The sculpture now has been installed on campus, as can be seen above. There was quite a bit of drama and protesting about the piece (all you have to do is Google "Columbia" and "Henry Moore" and you'll read all the international press from earlier this year). But when all is said and done, the piece is actually quite nice in its design and new location. Personally, I really like its organic quality. I think it represents well the biomorphic forms for which Moore is well-known, incorporating figuration with abstraction. The patina's hues are variegated, from caramel to gold, and the texture ranges from deep incisions to smooth sections. When the sun hits the sculpture, it really does shine. So we are all very satisfied with the end result. You can read more about the sculpture and the history of its installation by going to the Columbia news site or now at the ArtDaily Newsletter site. The video below (and on the Columbia site) is from the dedication ceremony where we thanked the Finns. I come in at about 7 minutes in and give a talk for about 4 minutes, commenting on Moore's association with educational institutions and his love of nature for his sculptures. This addition to the public outdoor sculpture collection at Columbia's Morningside campus does, then, honor Moore's intentions. I also mention that I am co-teaching with Prof. Harrist next semester on an undergraduate seminar entitled "Public Outdoor Sculpture at Columbia and Barnard." There is still room in the seminar, so spread the word and sign up!

First Snowfall: 2015-2016 Winter...and Picasso at MoMA

When you consider that our first snowfall last fall/winter took place around Thanksgiving 2014, it is actually rather surprising that today, January 17, 2016, is the first snowfall of the 2015-2016 winter. And aptly timed for this blog, as I just posted about snow and winter landscapes earlier today. AA and I had brunch on the UWS with JDN, and then AA and I went to the Museum of Modern Art to see Picasso Sculpture, the exhibition about which the critics have been raving.

I hate the crowds and lines at MoMA, but we still were able to get a good look at a number of pieces. It is actually an interesting show to see how Picasso's sculptural styles and media transformed over the decades. There was an introductory wall panel for each room; however, there were no wall labels for the objects on display. At first this was disconcerting, although I quickly realized people had picked up free booklets with all the object information detailed in their hands, or they were listening to podcasts on their iPhones or hand-held devices. Rather than follow their lead, however, AA and I just wandered and gazed at various sculptures we could get close to, and we talked about them without really having complete contexts on which to base them. In many ways it was a more refreshing experience because we focused more on the materiality and design of the sculptures. At one point I even noted that if we dropped Picasso's name from the show entirely, it still was an interesting survey of modernist sculpture over the decades with some excellent works of art. For an artist known to people as a Cubist and hence abstract artist, it was fascinating to see how figurative his sculptures actually were, i.e. faces of his lovers, friends, animals, etc. Even his Cubist-style sculptures were more figurative than one might imagine. We also walked through the Joaquín Torres-García exhibition. I was only familiar with the Uruguayan artist as part of the Barcelona group of circles who moved from Art Nouveau to Surrealism. It was an interesting survey of his career. His own particular Cubist-brand of Surrealistic symbolic language in gray and white, ca. 1930, was clearly the apex of his oeuvre, but after a while the pictures all seemed to be highly repetitive and lacking individuality to my eye.

It had started snowing before we got into the museum, and it was seriously coming down when we left about 4:15pm. The picture you see above I took at the intersection of 79th St. and Broadway, and the brief 5-second video you see here I took outside MoMA on 54th St., and shows you how fast the snow was coming down. It is not sticking to the ground, so we can't call this the first snowstorm of the season, but as I mentioned in my previous post it is still wonderful to watch it fall. I stayed outside longer, walking in the snow, just to relish the cool wetness of it on my head and face.

Art Properties in the News

My department of Art Properties has been profiled in an excellent write-up in the Columbia University news by Eve Glasberg. You can read the article and see a slideshow of a few highlights from the collection by clicking here. The image above is a Buddhist sculpture from the collection: Head of a Disciple, 550-577, from China, Northern Qi dynasty, limestone with traces of pigment (S1135). The article gives a good overview of the University's art collections, and how my team and I have been changing the mission to one based more on curricular integration, educational programs, and international exhibition loans. They also filmed us reinstalling art works from the Sackler Collections in the Faculty Room of Low Library, in which I narrate a little bit about these works and the recent graduate seminar in Chinese art in which students researched and studied works from this collection.

Off the Grid: Nick Arcidy

It seems incredible to me, following my father's passing, that just 5 weeks ago I was excited about the opening of my guest-curated exhibition "Off the Grid: Beyond the Noise" at the Atlantic Gallery, about which I last posted here. I never did have a chance to announce on this blog best in show. It was a difficult choice, as there were a number of excellent works in the exhibition. I had narrowed the pool down to 5 finalists, and in the end I selected as the winner Nick Arcidy for the work you see here, Ethernet Exhaltation, 2014, gouache on wood, 11 x 11 in.

I was impressed how Arcidy managed in such a small work to capture so much imagery that aptly responded to the theme of the show. He considers the technological grid that we seem unable to escape from in our world these days, and inverts it into a monastic experience, leaving the viewer uncertain if the figure seen here is praising the grid or praying to be released from it. The cathedral-like space behind the figure reverberates with icons of technology, creating a strange noise/silence that is charming and yet full of despair. Arcidy's painting made me think of The Jetsons and pseudo-science, as well as Japanese anime and advertising art. I see echoes of Kenny Scharf's work here too.

Arcidy's prize is a one-person show at the Atlantic Gallery in the spring. I look forward to seeing it in person and more from this young artist in the future. If you would like to see/hear me say a bit more about this work, here's a link to a short video clip someone at the gallery took of me having just announced Arcidy's work as best in show.

Post by Atlantic Gallery.

Maya Angelou

It was just 8 days ago that the world received news the great African-American writer Maya Angelou had died at the age of 86, having just celebrated her last birthday on April 4th. Her death struck me cold, and it has bothered me since. It's not because we are both Aries and I think we are kindred souls (I wouldn't dare compare myself to her genius). Nor am I troubled that she had died too young, or because I thought I "knew" her in some way. I'm saddened because the world will no longer be graced with the power of her voice and the power of her words. Her last message on Twitter, dated May 23rd, was as strong a message as any she had ever written and spoken: "Listen to yourself and in that quietude you might hear the voice of God." I can still hear in my head her recitation of the inaugural poem "On the Pulse of Morning" in 1993--A Rock. A River. A Tree.--and its final stanza, resonant with hope:

Here, on the pulse of this new day

You may have the grace to look up and out

And into your sister's eyes, and into

Your brother's face, your country

And say simply

Very simply

With hope--

Good morning.

These past 8 days I have been distressed by her death. I have felt a rivulet of emotion gurgling beneath the surface of my mind and my heart. I have been in mourning, and I only just realized this fact a little while ago. I never had the honor or privilege of meeting Maya Angelou, but there was always something about her voice and her words that have struck me. I am not alone; she has impacted many people's lives. But I realize that I am mourning the loss of a generation and a past and an understanding of the power of words, how when written from the heart and the mind, and spoken from the soul, words have the power to make a difference on a level that transcends basic textuality. Maya Angelou wasn't a perfect woman. She was something better. She was a human being, just like you and me, someone who made mistakes and learned from them, someone who knew that through our creative minds and bodies, one can make a small difference in this world, a difference that can enact positive change, hope, and love. Watch this short video interview with Maya Angelou that Ann Curry did about 12 years ago. You will quickly understand what I mean.

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Random Musings 15

Big news in the art world last night! More major auction records were broken at the Christie's New York post-war and contemporary art sale. The sale itself brought in a record-high amount of $691.58 million, and there were record high sales for major artists, including one that put Jeff Koons at the top for most-paid-at-auction-for-a-living-artist. The really big news of the night, however, was when Francis Bacon's triptych Three Studies of Lucian Freud, 1969, stole the show, selling for the hammer price of $142.4 million, becoming the most money ever paid for a work of art at auction. (The actual sale price was $127m; the rest was the buyer's premium that goes to the auction house.) The previous record happened last year with a version of Munch's Scream selling for $119. (Here is more on my past musings about these records and art sales.) You can see the trio of framed works by Bacon in the image above (source: Chang W. Lee/The New York Times), hovering over the crowd as the frenzy of the auction took place. I'm wondering if some wise ass will claim that as a triptych each piece should only count for 1/3 of the hammer price and thus be much lower. For the record, Bacon worked in triptychs over and over, and even though the three pieces are framed separately, that doesn't mean they're separate works. Unlike the Scream, which was quite a big deal but not life-altering to me, I must confess that this sale excites me because I'm a fan of Bacon's work. Long-time readers may recall my post about Bacon's rise in fame back in 2008, just prior to the big retrospective exhibition that was being planned for London, New York, and Madrid. I find Bacon's work visceral; it hurts to look at it. If you think you can hear the scream in Munch's painting, you will feel in your gut the heart-wrenching agony bellowing from Bacon's paintings. Despite the pain and angst, though, there's something also energizing about his pictures. They are both figurative and abstract in a way that makes you question what you think figurative and abstract actually mean. And in my chats with painters, I've discovered they love him as a painter. His brushstroke and use of colors dazzle them and demonstrate amazing skill and handling that make him a rival to Picasso and Matisse as the leading painters of the 20th century. And now that he carries the highest record ever paid at auction for a single work of art, few can doubt hereafter his awesome presence in modern art. For more about the auction, see the news report by Carol Vogel in the NYT. Some of CultureGrrl's observations about the sale and Christie's bizarre disclaimer on buyer and seller buy-ins shows that the old days of equality in auction sales are long gone.

Among some other musings I've been storing up... About two weekends ago, AA and I took a short getaway trip to New Orleans for some R&R. We got to see the RL-DGs and their new baby NGL, plus play with the ever-adorable dog Penny. But RL--officially and professionally Russell Lord, photography curator--also had some incredible exhibitions on that we went to see. Edward Burtynsky: Water at the Contemporary Arts Center New Orleans was just beautiful. His photographs shot around the world highlight the importance of water in our lives and the ways in which we control it. The images are dazzling and breath-taking. He creates such complex compositions in colors so vibrant you would swear you were looking at abstract paintings. The image below is one of a number of these beautiful pictures (image: Dryland Farming #2: Monegros County Aragon Spain, 2010; copyright Edward Burtynsky). To top that show off, Russell also curated the thought-provoking exhibition Gordon Parks: The Making of an Argument at the New Orleans Museum of Art. Here, Russell explored how Parks's 1948 photographic essay, published in Life magazine about a Harlem gangster named Leonard "Red" Jackson, actually revealed a cropped, edited form of sensationalist journalism that belied the truth behind what Parks really saw in this so-called gang leader struggling to live an everyday life as a black youth in Harlem. Both of these shows are just fascinating, so everyone should go see them if you're in New Orleans. And while you're there, you can check out his third exhibition, a "best of" in the photography collection at NOMA.

For photography and architecture buffs who love New York City, there is a new fun website that appeals to all those people who love seeing pictures of cities and landmarks "then and now." Called NYC Grid, it allows you to use a yellow dividing-line bar over photographs to see how landmarks like the Brooklyn Bridge and surrounding areas changed from the past to now. It's quite an amazing tool and demonstrates how fun Internet technology can be at times. There are currently only 32 works you can do this too, but the site has fun photography of different neighborhoods worth perusing as well.

Have you ever wondered how music sounded in ancient Greece and Rome? Mathematically and chromatically, scholars had determined in the past how it was constructed. Now with some clever tinkering of musical instruments, a scholar at Oxford University has demonstrated how Greek music sounded. You can read more about this interesting study here from the BBC, and click here to listen to a few of the recordings of vocal and instrumental music (in association with Archaeology magazine).

Finally...(drum roll, please!)...imagine my devilish delight when I discovered that my all-time favorite Disney villain, Maleficent from Sleeping Beauty, was being given her own biopic in non-animated form! I haven't seen a Disney movie like this in eons, so I'm looking forward to this. Maleficent really was wicked...and could turn into a dragon too. How cool is that? Angelina Jolie plays her in the film...creepy! OK, it's also a bit bizarre, I know, but still...it's Maleficent! Here's the trailer for the film...

DW: Day of the Doctor

It's been almost a year since I last posted about that time traveling (television) genius, Doctor Who! And although the last segment of episodes earlier this year were...well, acceptable, but not the greatest...I have very high hopes for the special 50th anniversary episode premiering on November 23rd! After all, it brings back Dr. David Tennant and reportedly many of the other earlier Doctors in a segment that celebrates 50 years of this British sci-fi show. John Hurt returns too as...well, I guess he's another future incarnation of the Doctor? I'm confused. But, I must say, I'm also rather excited, even if I have little idea what's actually happening in the episode, although Queen Elizabeth I makes another appearance in mid-1500s England, and the Daleks get to scream "Exterminate!" as they take great pride in doing. We do know that Dr. Matt Smith is leaving the show and Peter Cabaldi is stepping in as more-mature Doctor #12, so I wonder if this upcoming episode will actually be Smith's last one, that he will regenerate into the newest Doctor at the end, as has happened in previous incarnations. In any case, the good news is that we won't have to wait too long to find out. And to whet your appetite, here's a teaser of what's coming. And can I say again...Dr. David is back!!! I really do think he was awesome.

Frisco-bound

With everything the past few months a big whirlwind for me, between a new job and a new apartment, I haven't had time to blog too much. I'm sure that will change soon, however, as I'm off on another great adventure: San Francisco! You may recall I was last in California (Los Angeles specifically) in February 2012, and about this time of the year I've been known to run off to Provincetown. But this year my friends and I decided to traverse to the West coast. It will be my first time in San Francisco, so I'm thrilled to be going, and we do have plans to go to Sonoma one night and partake of wine tasting opportunities. Hopefully I will recap highlights from the trip when I return. I wonder though...will I leave my heart in San Francisco? Tony Bennett did so, and he sang that song on Judy Garland's variety show back in the 1960s. Here's the delightful video of that crooner, or you can see it on YouTube by clicking here.

Movin' on Up!

The picture you see here is the front facade of the building in Cobble Hill, Brooklyn, where I've lived for the past 8 years. It amazes me to realize that I moved here in August 2005 and how fast the time has flown by. My entire doctoral education took place on the 2nd floor of this building, as did a number of parties with good friends, and stayovers with family and friends who got a taste of Brooklyn on their visits. This is actually one of the longest residences I've ever had too. But one must move on. Or as I've been envisioning it, I'm "movin' on up!" Yes, readers, I'm moving into Manhattan. I'm moving into a studio apartment on the Upper West Side, which will make my commute to work faster. I will be able to enjoy the benefits of being near Riverside Park and Central Park as well. It's going to be a big change for me, but I'm looking forward to it. But what shall we do with bklynbiblio? The premise of this blog name was because I lived in Brooklyn. Do I change it because I'm moving out of Brooklyn? I've thought a lot about this, and I've decided the answer is NO. I've become rather proud of my blogging sobriquet, and rather than suggest by its name that I'm a current Brooklyn resident, my blog name will reflect where it was born and christened. So, although I bid adieu to 8 years of Brooklyn residency--to the BQE, to the Met grocery store, to Bocca Lupo's amazing food, and my local laundrymat and dry cleaner/seamstress (that poor Chinese woman will be devastated!)--I also say hello to Manhattan...I'm movin' on up! And to commemorate this great moment, I present to you George and Louise Jefferson, who once upon time found themselves "movin' on up" to the East Side (okay, I'm going to the West Side, but you get the idea). If you can't see the video, click here.

Commencement and Career News

 

Yesterday, May 23, was my graduation from the CUNY Graduate Center. During the ceremony, I had conferred upon me my hood as a holder of the Ph.D. degree and I received my diploma. The ceremony was held at Avery Fisher Hall, Lincoln Center for the Performing Arts. I was so happy to have my cousins the DG-JBs there, along with my good friends AA and JM. I know Momma was beaming with pride from above, and Papà was there in spirit, as were a number of my close friends and family. It's a rather startling moment to march across that stage, hear your name called out, and receive the official notification of your degree. I admit I started getting choked up, but I kept it together, determined to hear my name called out and enjoy with pride my moment. I began the Ph.D. program in Art History in August 2005, and along the way took numerous art history classes, did foreign reading language classes in German and French, took a ridiculous number of exams along the way, then finally had the opportunity begin work on my dissertation, which you will recall happened just last month. And now it's official. I'm Roberto C. Ferrari, Ph.D. Afterwards, a group of 10 of us went out for a lovely dinner (with cocktails!) at Robert's in the Museum of Art and Design building on Columbus Circle.

What makes this moment even more amazing, however, is that I also have a new job. I had been getting very concerned for over 8 months that things were getting more and more difficult, and I started to panic wondering how I even would be able to pay my rent. I had applied for numerous jobs but nothing seemed to be working out. Finally, my networking, experience, and determination paid off (thanks in part to the ongoing support of a number of close friends too). In the spirit of graduation being a true "commencement" (a beginning, not an ending!), starting June 10, I am the new Curator of Art Properties at Columbia University, Avery Architectural & Fine Arts Library. I am essentially in charge of the university's art collection, which ranges from ancient decorative arts and Chinese sculpture to photographs and public sculpture on campus. The job is a faculty-librarian position and has a strong educational component, but I also will be involved with conservation and digitization projects and working to publicize the collection as much as possible. I am absolutely thrilled to have been given this opportunity. Stay tuned on the blog though, as I'm sure there will be numerous Columbia-related art postings in the future!

For now, however, enjoy this short video showing my graduation ceremony with me receiving my hood and official congratulations (thanks, DG, for taking this video!). If for some reason you can't see the video, click here to see it on YouTube.

DW: Christmas 2012

There's nothing more delightfully Dickensian than a Victorian-themed Christmas. Throw in The Doctor, some aliens in Victorian clothing, man-eating snowman creatures, and what a fun-filled Christmas it will be! Yes, clips for the upcoming annual Doctor Who Christmas special have been released, and it looks like great fun. (Here's last year's post.) We see some familiar alien faces, and the first episode with his new companion, pictured above. A Victorian girl who will be brought to the future? Rather clever, I must say. Below are two video clips: first, a brief prequel that picks up where we last saw The Doctor, mourning the loss of his companions the Ponds; second, the preview clip for the upcoming episode, also starring Richard E. Grant as the bad guy. Since I don't have official plans for Christmas yet, I'll be happy to curl up with some hot cocoa and watch this on BBC America.

Anna Fahr Video

Some of you will recall, I'm sure, how thrilled I was to announce back in June the art video collaboration I had embarked on with painter Meera Thompson and filmmaker Anna Fahr. Well, Anna has done it again with another short video about painter Phyllis Chillingworth. Whereas I think the video collaboration we did was quite thought-provoking and placed Meera's paintings in a larger artistic, educational, and historical framework, this video about Phyllis's work is more personal and Romantic with its references to nature and her childhood. You'll love it, I'm sure. To see more work by the very talented Anna Fahr, go to her Vimeo site here.

Capriccio: The Video

A few weeks ago, I showcased Meera Thompson's work on bklynbiblio, coinciding with the opening of her new show at the Atlantic Gallery. I hinted in that post about a project in the works, and I'm absolutely thrilled to announce that project now has happened. I have participated in a collaborative venture with Meera Thompson and filmmaker Anna Fahr to create a video about Meera's work. I provide art commentary, positioning Meera's work in the longer trajectory of art history, while Anna did the videography and editing. We're quite proud of the end result, as I hope you'll agree. To see more of Anna's documentary work, click here or click here. If you cannot see the video below, you can see it on YouTube by going to http://youtu.be/2k24lxeZfcg?hd=1.

Random Musings 12

What do you think when hear the names Don, Betty, Peggy, Joan, and Roger? If you're thinking Mad Men, then you're as excited as I am to see the 2-hour season 5 premiere on March 25 (image: Frank Ockenfels, AMC). I wasn't so sure about this show at first and didn't watch the first two seasons right away, but once I caught on, I was hooked. Matt Zoller Seitz has some interesting thoughts about why the show is so great in the latest issue of New York magazine. Last season had some great moments, like Don's elderly Jewish secretary, Ida "Are-ya-goin'-to-da-toilet?" Blankenship, who was so popular she got her own Facebook page. Tragically, even her death was a hoot. And of course there was episode #7 from last season, "The Suitcase," which ranks up there as one of the all-time best hours of television ever written and acted. The synergy between Don (Jon Hamm) and Peggy (Elisabeth Moss) was simply brilliant. Let's see if they can top it this season.

Last month, I posted about New York Public Library's disastrous plans to gut the main historic building and research library and make it mostly a circulating library and Internet computer zone. The project is going to cost upwards of $350 million. Meanwhile more than 80 branch libraries throughout NYC are completely falling into ruin and need to be completely overhauled. Yesterday, Leonard Lopate on WNYC radio interviewed Scott Sherman, who wrote the exposé published in The Nation this past December, and Caleb Crain, a former research fellow at NYPL. The radio program addresses both the potential positive and negative sides of this controversy, but truly drives home the nightmare of what is being planned.

In the world of art, the Renaissance master Leonardo da Vinci has never gone out of style, so Dan Brown really had no need to try to make him more titillating than he already was. Over the past 2 months, the Mona Lisa (La Gioconda) has come back into the spotlight, not in her world-famous portrait at the Louvre in Paris, but in a copy made at the same time that belongs to the Museo Nacional del Prado in Madrid (their image). Having recently conserved and cleaned their copy of the Gioconda, the Prado's conservators have determined that it probably was painted about the same as the original. They're also claiming that the restored copy is closer to what the picture actually looked like when Leonardo painted it. Dirt, varnish, and aging have darkened the Louvre's original. I think it's rather interesting too that the copy artist probably was Andrea Salai, Leonardo's lover. You can read more about the painting in articles published in The Art Newspaper here, here, and here. And just when you thought that was big Leonardo news, yesterday it was announced that scholars believe they may have "found" his long-missing mural of The Battle of Anghiari beneath another painting.

I'm heading back to Florida this week. The Pater's mental health is degrading some more as Alzheimer's disease continues to affect him. I'll be doing a few more things to help make his life comfortable and manageable, including following up some doctor appointments. Our dear friend RM has been simply amazing in helping with so many things. I owe her a tremendous debt of gratitude and, knowing she reads these posts, I'm publicly making it known how much I appreciate all of her help. With managing health problems such as Alzheimer's in our lives, I've often found the British World War II slogan "Keep Calm and Carry On" to be quite useful at times, so I'll leave you with this delightful video of the story behind the slogan, the iconic posters, and a charming bookshop in the UK that I would love to go visit one day soon. Watch the video here if you can't see it below. You'll appreciate the message.
 

Downton Abbey

I first wrote about Downton Abbey, that magical 1910s-themed soap opera from Julian Fellows, back in September when I noted that it was then named as the most critically acclaimed show in television history. Those who know me on Facebook also have been following my occasional posts on all the grandeur and excitement of the show. I've even used Maggie Smith's picture as Violet, Dowager Countess of Grantham, as my profile image in honor of tonight's final episode of Season 2, which has been dubbed "Christmas at Downton Abbey." The show is fantastic and rightfully deserves all the awards it has earned. To me, the writing has been key to its success, but equally so have been the attempts at historical accuracy with the costumes, settings, social graces, etc. They cover lots of cultural issues, like women's rights and the challenges of the working classes, but then there are the love stories, and you cannot help but root for Anna (the head house maid) and the lame, married Mr. Bates (Lord Grantham's valet). It's all not perfect, of course, and the high drama that goes on with some of the characters (like finding a dead Turk in your bed) can be a bit over the top at times, but that's part of the charm. Season 2 has been a little more challenging in that the war has preoccupied much of the storyline, making character development suffer a little, but the show still had held on and has been excellent. Maggie Smith as the Dowager Countess, however, is simply divine. She has the best lines in the show ("Don't be defeatist, dear, it's very middle class."). Although her character becomes comic relief she also is an excellent representation of how older Victorian social mores were being forced to change with the onset of World War I and the gradual decimation of the "upstairs/downstairs" social class hierarchy. Best of all, however, she also represents the determination of family and protection of one's loved ones. No matter what happens, we take care of our own, servants included. (Now, who is going to pour the tea?) I won't go into all the details about the show, as you can learn all about the characters and storyline simply be visiting the official US website for the show. If you're interested in knowing more about the manor house, Highclere Castle, home of the Earl and Countess of Carnarvon, you can visit their website as well. (No doubt visitors to their estate will increase greatly and match those of Castle Howard after Brideshead Revisited was filmed there.) You can see episodes of Downton Abbey from Season 1 (which opened with the sinking of the Titanic and ended with the declaration of war) on DVD and streamed online, and the Season 2 DVD set (which covers WWI through 1919) is on sale now as well. I cannot wait until the final episode tonight airs, but I'm also devastated knowing I have to wait a year for Season 3, in which Shirley Maclaine will be joining the cast as Lady Grantham's American mother. Fortunately, New York magazine has provided us with Downton Abbey paper dolls so we can entertain ourselves until next season begins. Lady Sybil Crawley gets female empowerment symbols, but you'll notice the Dowager Countess comes with a variety of facial expressions.

UPDATE 11:08 PM: A most satisfactory season finale! And now that the two seasons have passed, one can sit back and enjoy all the Dowager's best lines and facial expressions.
 

Random Musings 10

I'm heading to Florida for a dysfunctional family Christmas. If you're wondering if this is a picture of my relatives, it's not, but I swear if my lesbian cousins (the DG-JBs) were to ever really let loose, I'm convinced they would be just like Edina and Patsy (more on them below). I've been saving up a bunch of links and posts to blog about, so enjoy this Random Musing.

The Guardian has an interesting interactive guide that allows you to zoom in and find out more about drawings by Leonardo da Vinci, in conjunction with the National Gallery's current exhibition about his years at the court of Milan.

When I was at the YCBA, my co-visiting scholar was Georgina Cole, who received her PhD from Sydney University in Australia. She was there working on a project relating to the senses in 18th-century British painting. She's also started a new blog/website, Early Modern Art Network, which focuses on news relating to art from the 17th and 18th centuries. She's transcribed a funny 18th-century letter to the editor from an enraged parent about how having his children trained to be artists had made his life miserable: "When I the other Day found that Remonstrance was in vain, and rage exerted without Effect, and clasped my Hands and sighed with pure Vexation, my Daughter told me I looked like the Soldier in Belisarius; my eldest Son said I was more like West’s weeping Grenadier, and my youngest, a little Imp about ten Years of Age, got into a Corner of the Room with his Chalks and blue Paper to copy my Face, his own Father’s Face, Sir, for a Head of Despair."

I've blogged about the World of the Year in the past, but unfortunately we now have conflicts depending on the source as to what the actual word of 2011 is. Dictionary.com had declared "tergiversate" to be the annual word (huh?), but now Merriam-Webster claims the word of the year is "pragmatic," based on the number of people who searched for that word. Complicating matters is the Oxford English Dictionary, which apparently declared "squeezed middle" the word of the year, never mind that's a phrase, not a word.

Thanks to my dear friend SVH, my latest sci-fi obsession is Farscape. Yes, I'm a little late to this, as it's been off the air for a while, but it's fun. A pregnant bio-ship with a sexy lost human and escaped alien prisoners, none of whom know or trust one another? What a fun concept!

New York magazine has declared 2011 to be the year in which male bodies were exploited in the movies, such as Chris Evans here in Captain America. There is a rather lovely slideshow of images worth seeing on the site, although I do find it odd that they all look alike (never mind why  Evans insists on shaving his chest hair). Unfortunately, my fantasy boyfriend Ewan McGregor wasn't on the list, although I guess he didn't actually take his shirt off in any films this year (a first for him!). His film Beginners, with Christopher Plummer as his aging father who comes out of the closet late in life, was absolutely one of the best movies of the year. The Anglophenia blog put up a post earlier this year with video clips of all things Ewan, so check it out.

And unless you've been living under a rock I'm sure you've heard the news that--20 years after the first episodes premiered--Absolutely Fabulous is coming back with some new episodes with Edina and Patsy partying hard and Saffie scolding them the whole time. I can't wait! Here's a hilarious clip from the newest episode in which they trash-talk the Kardashians (who I still to this day do not understand why people think they are important!!). Enjoy, sweetie dahling!

DW: Christmas 2011

The trailer for the annual Doctor Who Christmas special has been released. Entitled The Doctor, the Widow and the Wardrobe, you can imagine that it definitely is taking as its inspiration C.S. Lewis's The Lion, the Witch and the Wardrobe, but with an alien twist, I'm sure. It takes place during World War II, so the added historical element will make it an even more enjoyable Christmas, as last year's did, inspired by Charles Dickens but successfully mingling the futuristic with the past. From the new trailer, it looks like Amy and Rory are both absent from the episode, which is a refreshing change. It will be good to see Doctor Matt have his own adventure without having to rescue those two. Here's the trailer, but if YouTube breaks the link, you can view it here, or keep up with all things Doctor Who on their BBC America website.

Random Musings 8

This week the New Orleans Museum of Art (pictured here) made the official announcement that my friend and colleague Russell Lord has been named their new Freeman Family Curator of Photographs. In their press release, they noted that in his position he "will be responsible for the care, interpretation, and presentation of NOMA's wide-ranging photography holdings. In addition to developing exhibition programming that expands scholarship in photography and actively engages audiences, Lord will continue to acquire works that enrich the museum's collection." You can read the full press release here and be very impressed by his credentials and experience, but the announcement also made it into The Art Newspaper, Houston Chronicle, Washington Examiner, and other national newspapers. bklynbiblio readers may recall SVH and I attending Russell and Dana's wedding two years ago, but he and I also have been at the Met and school together, and we've taken a few art trips together too. I'm absolutely thrilled for him, but I am seriously going to miss the two of them when they leave Brooklyn in a couple of weeks. I am comforted by the fact that SVH and I are now planning a spring trip to the Big Easy.

Speaking of SVH, recently she sent me this link to a news post and short video about what is being called America's smallest library. Open 24 hours, 7 days a week, with 150 books housed in an old phone booth, this library in upstate NY has been a great success within the community. Check out the short video about it when you're on the site. And people think no one reads printed books anymore...

Have you watched the miniseries Downton Abbey yet? If not, you have no idea what you're missing. It is one of the best things to come out of the UK since high tea and Ewan McGregor. The show takes place from 1912 to the breakout of World War I and captures the lives of the Earl of Grantham's family and his servants below stairs. The writing and acting is top-notch, with bouts of drama and humor that hook you in so much that you don't want to stop watching it. Not only has it now this past week won 6 Emmy awards, including best screenplay for Julian Fellowes and best supporting actress for the perpetually brilliant Maggie Smith (pictured here as the Dowager Countess), the miniseries also now ranks in the Guinness Book as the most critically acclaimed show in television history. The New York Times also recently had an interesting interview with Fellowes about the success of the show. Don't rent it, just buy the DVDs, it's that good. I own a set and I am looking forward to watching it again soon...because the sequel has premiered in the UK this past week and will be on TV in the US in January!

Finally, you must watch this very cool video that recently came across my Google Reader from the blog How to be a Retronaut.  In 1784 German designers made an android that resembled Marie-Antoinette and presented it to the Queen of France. Working in ways akin to a music box, when wound with the key to play the android performs a musical composition by striking on the strings with hammers. It's incredible to watch the figure come to life, admittedly even creepy at times. But the talent and ingenuity it took to make this truly is a testament to the Enlightenment and the interest of men and women who wanted to explore new ideas about science and technology. The video has subtitles for those who don't understand French, but really the android "speaks" for herself.